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ID: 88057705

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Описание

ОБЩЕНИЕ, ДЕЛИМСЯ ОПЫТОМ, ПОМОЩЬ, ПРОБУЕМ НОВЫЕ ИГРЫ, СТАВИМ ЛАЙКИ И МНОГОЕ ДРУГОЕ.

DIE UNBEKANNTEN. Mark Reeder (Synths, Bass, Guitars, Percussion, Tapes & FX, Occasional Vox & Programming)
Alistair Gray (Vox, Bass, Synths, Programming)
Roland Sixosix (Drum Patterns)
Thomas Wydler (Drums & Percussion)
Danny Briotett (Percussion & Cooking Pots)
Michael Schaeumer (Synths and Cigarettes)
Jeppe Eckholm (Synths & Violin )
Die Unbekannten (The Unknown) were formed in June 1981 by two ex-pat Brits living in Berlin, Mark Reeder and Alistair Gray, for the legendary Konzert zur Einheit der Nation (Concert for the Unity of Germany) held in the SO36 club in Kreuzberg on 17th June 1981.
Their set was hastily thrown together a few days before and the song lyrics were written in the pub opposite the club, while awaiting their soundcheck. One song from their legendary first performance Radio War, appeared on the album Licht und Schatten on Wild Youth Records.
They actually had no name when they appeared at the SO36 and were dubbed by a local journalist Andre Schwerdt as, the two unknown Englishmen in a local magazine review and the name Die Unbekannten stuck.
They recorded their first successful 12 vinyl Die Unbekannten shortly afterwards for Elisabeth Recker's Monogam label.
This controversial three track EP also featured their friend Thomas Wydler on drums. It was a collection of gloomy and politically themed tracks, such as the cold-war classics Radio War, Casualties and Poseidon (a bi-lingual song in English and German, about the sinking of a Poseidon nuclear submarine).
The cover artwork acquired for this first single, was a photo of three East German border patrol guards (VOPOS), which had been obtained especially for the EP's artwork. However, it transpired that the photographer hadn't given his permission to also use the picture for other marketing purposes and when he saw the city covered in Die Unbekannten posters, he filed a suit against the Label and withdrew his permission for his picture.
After selling a few thousand copies the single was culled from the shelves.
As Reeder also worked as co-manager and sound engineer for avant-garde all-girl group Malaria! Die Unbekannten were provided with the ideal opportunity to tour extensively throughout Europe, as Malaria!'s support act.
In spring 1982, Mark and Alistair were given an early prototype of a Roland 606 drum computer, by a member of The Human League. After a few days trial (writing songs), they immediately went into Harris Johns recording studio in Kreuzberg and recorded Don't Tell Me Stories (featuring Renegade Soundwave's Danny Briotett on cooking pot-percussion), and Perfect Love for their next Monogam EP Dangerous Moonlight.
Two more tracks soon followed The Game and Against the Wall (which again featured Thomas Wydler on drums and percussion).
This melancholic single was a huge success for the band and was probably one of the earliest examples of electronic darkwave music.
During the following two years, the line-up changed. Wydler left the band to play with Die Haut and the drum machine and electronics completely changed their sound and songwriting style.
Using Reeder's extensive eastern European dissident contacts, Die Unbekannten also performed at secret illegal gigs deep inside communist bloc in places like Hungary and Czechoslovakia.
In early 1983 they undertook an adventurous tour of Germany, Austria and Hungary, together with Die Toten Hosen (where they played together in Budapest's Karl-Marx-University and where some twat stealthily stole one of their Roland 606 drum computers).
The first concert of this mad-dash tour, was for the grand opening of

DIE UNBEKANNTEN

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